Influencing trends and attitudes since 1980…
Tom Binns is a directional artist who over his 30+ year career in the fashion industry, has earned numerous prestigious awards including the Accessory Designer of the Year from the Council of Fashion Designers of America ("CFDA"), the British Fashion Council (BFC) Award for Best Accessories Designer and the Elle Style Awards for Best Jewelry Designer.
He has garnered a cult following for his unique designs, which combine elegance with an anti-conformist sentiment.
His luxury attitude has adorned icons ranging from Michele Obama to Beyonce and Cate Blanchett to Lady Gaga just to name a few.
Dare to wear.
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2022 - BROKEN RECORD
A discarded broken old CD disc frames the love lorn couple playing out the the motions of an age old wooing process, they settle themselves on a bed of broken jewels.
broken CD disc, printed tin plate, broken rhinestone earrings, pearls
necklace
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2021 - ARTTITUDE
With this fabric collage I wanted to expand my eclectic reasoning, away from just jewelry making and create another way of expressing the attitude of the punk irreverence.
assorted fabric pieces, t.shirt, ties, paint, suede piece
fabric collage
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2020 - WOLF IN SHEEPS CLOTHING
Behind every soft moment lies the shadow of danger and seduction of the innocent and an imposing threat.
plastic toy sheep and wolf, rubber band, silver chain
necklace
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2019 - ERRING EARRING
The story of Mack the Knife inspired this earring. The abandonment to the attraction is the trap of lust for a dangerous man.
Small pen knife, tin badge, metals, turquoise crystal stones
one earring
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2018 - SOUVENIRS FROM A DREAM
The repurposing of the neglected.
An assemblage of found charms with eroded metal creating a history for the abandoned and the luxury of realization.
assorted metal charms, plastic charms, safety pin, metal chain, rhinestone pieces
necklace
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2017 - ODETTE
In all her finery the lady relishes her moment to flaunt. As she glides through life she is the swan queen.
porcelain figure, rhinestone earring, metal piece, exotic feathers, rhinestone
necklace
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2016 - FEAR ITSELF
The idea that sentiment can threaten your equilibrium and dare you to break this habit of control. Wish you were here.
mirror, metal hammer, silver rocco plate, rhinestone
necklace
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2015 - CAN CARCAS
A rusted oil can was found in the desert and blasted by some gun happy yoyo.
It has a defined contour, spread out as a trophy like a skinned artifact.
Red undead.
rusty oil can, red acrylic paint
wall piece
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2014 - TYPE WHITER
This obsolete object has a complicated beauty having written a few secrets.
A machine frozen in time.
vintage typewriter, white acrylic paint
sculpture
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2013 - HARMONY
Harmony of two opposites.
The song of contradictions.
The opposite attraction.
painted broken violin
sculpture
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2012 - STOP WATCH
The idea of wearing a very expensive watch annoys me, so I thought I would hammer a nail into like they did to Jesus.
Fuck that for a game of cricket.
faux cartier watch, rusty nail
wrist band
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2011 - FROM THE DEEP
I was fascinated by the colors of the coral reef.
There is a neon world down there that is unimaginable and I can only marvel at how brilliant nature is.
hand painted vintage crystal
necklace
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2010 - SPLASH BAG
This leather shoulder bag was inspired by bag pipes.
I thought I would just add a dash of anarchy in gold.
black calf leather, gold acrylic paint
bag
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2009 - FUTURE FANTASTIC
What if people from outer space landed in Africa with the Massai tribe and went back inspired to make their own jewelry?
This is what happened.
metal discs, plated copper
body bust
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2008 - PUNK COUTURE
This is a mass brawl.
Taking the regal jewels and attacking with a punk attitude using razor blades, safety pins, and chains.
white crystal set in nickel, silver chain, safety pins, gold plated razor blades
body bib
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2007 - BODY JEWEL
I put this together using old colored rhinestone broaches.
I was thinking Beyoncé would look statuesque in this jewel structure.
She has the deportment.
vintage broken broaches assembled
body bust
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2006 - ANNA NECKLACE
I tried to imitate royal jewels using vintage crystals and colored broken glass to replicate emeralds and rubies.
I lent it to Anna Wintour to wear in Paris.
She told me everyone thought it was real.
Sometimes it's the frame that distinguishes the work.
It was real, real to me.
vintage pearls & crystal, broken glass
necklace
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2005 - AFTER MATISSE
I love the way Matisse, although in a wheelchair, found a way to create with his cut outs and random placings'.
I had a group of tumbled blue glass and I hung it from chains so the pattern constantly changes.
deep blue glass, black chain
necklace
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2004 - ALL THE RAGE
This is a big girl's blouse.
I wanted to try to construct a piece of clothing in the same way I was making jewelry, piecing contradictions to make a whole.
mixed fabric, metal chain
blouse
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2003 - PEARLS IN PERIL
Pearls have the attitude of conservatism, which of course I reject.
So I treated them in a thuggish manner with a bit of grievous bodily harm.
vintage rhinestone, vintage costume pearls
necklace
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2002 - RAJ NECKLACE
The inspiration for this came from royal India.
It was the men who wore all the jewels as a sign of wealth. This is my interpretation of a royal attitude.
colored crystals set in nickel
necklace
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2001 - WHAT WAS ONCE, NOW IS
I started feeling really loose about putting different elements together in an abstract way,with no rules.
The construction of abandonment.
broken jewels reassembled
bracelet
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2000 - FLIES ON SHIT
Today you only have to think of an idea and someone else is on it,
pre-empting your thoughts.
Rather like flies on shit.
oxidized silver on rhinestone
necklace
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1999 - WATERFALL
Fine chains on mass have a particular way of acting.
These chains cascaded so I left them as is, and added a blue crystal hiding under the waterfall.
fine silver chain, blue crystal set in nickel
necklace
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1998 - PRECIOUS MOMENTS
The inspiration came from imagining what a child would collect and tuck away in their pocket.
Much like a bowerbird collects to attract a companion.
Finding beauty in odd objects.
crystal, cord, shell, plastic, stone, ceramic, metal
bracelet
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1997 - IT'S THAT EASY
This was a break through period for me. Jewelry became the medium I used to make jewelry with.
It was that easy,
it became the new norm.
Everybody had the same revelation, after the fact. A constant coincidence.
mass of beads glass, plastic, faux pearls ,metal chain
necklace
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1996 - CALAMITY CHAINS
Found a mass of chains that had their own elegance and chaos.
It formed itself, I just re-realized it.
mixed metal chains, silver, brass, copper, nickel, gold plated brass
necklace
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1995 - TWIST OF FATE
Originally this was a body sculpture you would step into, but I prefer it as a hollow entity because the space is what is important.
I was inspired by Jose De Rivera.
tapered bronze metal
sculpture
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1994 - BROKEN DREAM
Edgy and daring having a smashed Pepsi bottle lashed together with safety pins.
It becomes the new diamond.
If on Mars we found diamond mountains, we would have to reevaluate their value.
With nature dying, it would be come the new precious.
glass pepsi bottle, metal safety pins
necklace
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1993 - EMPATHY
On this canvas, I hung a swans feather, the most regal bird.
I splashed the red paint across it to emphasize how delicate life can be.
4ft x 5ft stretched canvas, swans feather, acrylic paint, cord, rusty metal nail
painting
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1992 - ANGEL
My sister Susan said to me, there is a certain amount of pride a woman gets from ironing her man's shirt.
I thought ironing was the most boring of jobs.
She is an angel to think that way.
vintage iron, brass wings
scultpure
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1991 - TULIP
Finding nature and seeing the beauty and its possibilities.
I gave this shell a new identity, a new significance.
shell, silver, copper
pin
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1990 - VEIL OF SHADOWS
This was a piece I made for the Pirelli calendar that was not used. It's purpose was to sit on the shoulders as a black coral veil covering the face.
Nature's last laugh.
black coral, bronze metal
face mask
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1989 - BIRD
I noticed this piece of drift wood resembled a wee bird,
so I gave it legs and prominence.
Now it is mighty.
silver drift wood, slate stone
cuff
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1988 - DANCER
I worked on a collection with Rifat Özbek in London.
It was ballet inspired, I love the dynamics of dance. I tried to capture motion with a simple twist of wire.
A la Man Ray.
gold wire, plastic plinth
sculpture
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1987 - FAUX FASCIST
I did a series of Disney characters acting out of character, taking the innocence of universal cartoon and giving it a nasty streak.
plastic donald, metal paper, hair
small sculpture
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1986 - FACE
I like studying sculpture.
Gargallo was a Spanish sculptor I was inspired by who formed 3 dimensional pieces from flat metal.
bronzed metal
pin
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1985 - IN THE NAME OF CHRIST
Religion has a violent side.
Being from Belfast, I've seen how it turns faith against faith.
wood, metal, enamel watch face
broach
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1984 - FOR FORK'S SAKE
Always loved a fork, it is a violent object that goes into the mouth.
A dangerous server.
metal forks, silver plated
cuff
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1983 - CLOTHES PIN NECKLACE
I always liked the way an African person would look differently at an object and find another application for it, so I tried to look at a clothes peg in that way.
old wooden clothes pegs, copper wire
necklace
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1982 - FISH
At college, I rebelled of course, veering towards fashion instead of arts and crafts. I went for the dramatic, it was the early 80s and being ostentatious was in.
hair, bone, wood, leather, rusted metal
necklace
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1981 - REFLECTIVE
Cubist face carving with a ripple of a profile reflected in the diminishing silhouette.
silver, bone, plastic
pin
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I980 - FOR SALOME
I was in college and Salome was the brief.
The idea was about someone who had it all, but destroyed it with her own venom, in spite of herself.
silver, bone
bracelet